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Batman: The Killing Joke (2016)

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As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.

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Cast

Cast overview, first billed only:
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Bruce Wayne / Batman (voice)
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The Joker (voice)
...
...
...
Francesco (voice)
...
...
Alfred (voice)
...
Reese (voice)
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Murray (voice)
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Mitch (voice)
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Paris (voice)
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Carny Owner (voice)
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Patrolman (voice)
...
Jeannie (voice)
...
Call Girl (voice)
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Storyline

As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.

Plot Summary | Plot Synopsis

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Motion Picture Rating (MPAA)

Rated R for some bloody images and disturbing content | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

25 July 2016 (USA)  »

Also Known As:

Batman: La broma mortal  »

Box Office

Budget:

$3,500,000 (estimated)

Gross:

$3,775,000 (USA) (26 July 2016)
 »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

When speaking with Gordon, The Joker uses the line, "There is no sanity clause," mirroring a joke delivered by Chico Marx in A Night at the Opera (1935). See more »

Quotes

The Joker: Yes, memory is so treacherous. One moment you're lost in a carnival of delight, childhood aromas, the flashing neon of puberty, all that sentimental candyfloss. The next, it takes you somewhere you don't want to be. Somewhere dark and cold, filled with damp, ambiguous-shaped things you'd rather forget. Memories can be vile, repulsive little brutes. Like children, no?
See more »

Crazy Credits

In a mid-credits scene, Barbara is in her wheelchair entering a secret room in her apartment. As she turns on her computers, Oracle's logo appears on the screen. She says "back to work." See more »

Connections

Version of Batman's Lego Adventure: Part 2 (2013) See more »

Soundtracks

I Go Looney
Composed by Michael McCuistion, Kristopher Carter and Lolita Ritmanis, Performed by Mark Hamill
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User Reviews

 
A bland retelling of a powerful novel
25 July 2016 | by (United States) – See all my reviews

One of the most acclaimed graphic novels of all time has now come to the big screen. Not only is this one of the most acclaimed novels ever but it's one of the most controversial. The story is basically an origin tale for the infamous Batman villain, The Joker. When this movie was initially announced back at the beginning of 2016 there was some serious hype surrounding it. Especially when it received an R rating. One thing that really made me nervous though was how quickly this actually released. Obviously, it could've been in production long before it was announced back at the beginning of the year, but after seeing the film, I don't think that's the case.

The first thirty minutes of the film is a kind of prelude involving, mostly, Batgirl. It talks about how she came to quit being said superhero and draws a thread between her and Batman. Now, this story is controversial for a reason. Not only does it explore tough themes but it shows the details of these horrible things. The story in the graphic novel is brutal, uncompromising, and pretty tough to get through.

However the film is just the opposite. It tries hard to retell the story seen in the novel, yet any emotional drama is all but lost. This mainly has to do with the length of the film itself. Being only 80 minutes, it's rather short. As I said, the first thirty minutes revolves around Batgirl. And this segment of time is absolutely the worst to sit through. It's tedious, overly long, and so cliché and predictable that there's nothing remotely enjoyable.

While, this part of the film is undoubtedly the worst from a storytelling standpoint, there are a number of things that remained consistently bad throughout. Most notably was the animation. From a studio like Warner Bros you'd expect some decent art work, but not here. The back drops nor art design is well put together. It's clunky, with no style to be found.

It looks like they took the animation from a rough draft of the animated series and colored it in. This issue becomes even more clear whenever it attempts 3D animation. The other blaring issue that continues through the film is the music. Which is completely contrived and formulated to the point of it being so cliché that is, in fact not cliché.

As the film ended, a crowd that once cheered for the lights dimming, was left in stunned silence. Not a good stunned silence like you get after watching 'Gone Girl', this type of silence is the kind where people don't know what they just saw. For me, this had to do with the complete lack of any emotional resonance. When it attempts to recreate the power of the novel it fails.

It doesn't commit enough to the drama of the story. Even with its R rating it doesn't draw the same toughness the novel does. It lacks the rawness that the novel has to make it's audience queasy. It's not graphic enough to be disturbing and it's not lighthearted enough to be fun. It just bounces from scene to scene with little connecting one to another. The best way to describe it is that it goes from this scene to that scene and than it ends. That's about it. ​This is one film that should have been great. All the pieces are there. It has a great studio behind it, an excellent voice team, and a brilliant story. But it lacks the emotional power that the novel has. Even though it has its R rating it doesn't fully commit to it, or anything for that matter. Without coherent direction and the overall first draft vibe of the film it's hardly the experience we've been lead to believe it is.


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