Pennsylvania, 1854. German Immigrant John Linden struggles to set up a homestead in the mountains with his brother's widow Flora and her two young sons. When the small boys suddenly vanish ... See full summary »
Family is an institution. Sometimes, you gotta break out. This is the story of how 17-year-old Candy finds the courage to walk away from everything she's ever known with the hope of discovering a better tomorrow.
A young woman Joey is in search of direction in her small town. A visit to an army recruiting office appears to provide a path, but when she meets and falls in love with Rayna that path diverges in ways that neither woman anticipates.
An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself. But despite the desire for transformation, she cannot find herself outside of her career. When an upsetting personal betrayal unexpectedly leads to the role of her life, she must confront the reality of her past relationships in order to clear a path forward. The intimate story of Anna and her friends Isaac and Kate become magnified by the film's surrounding themes: gentrification, addiction, autoimmune disease, burnout, sexism in the film industry and 21st century marketing of the self.
There was so little in this movie that I could relate to. Sure, I've had several friendships with a few not-easy-to-get-around complications, but it seems the entire world of acting is filled with loads of people wandering confused, ravenously curious as to who they really are, what it is that best defines them, and what place or situation actually fulfills them.
They play at roles, they play at friendships, they play at responsibilities, they play at sex, and, in the end, they play at everything. There are no absolutes or boundaries.
From one who stands completely outside that arena, I feel somewhat awakened to why so many in acting are thoroughly liberal. They give voice to any role, justify it, and in so doing, toss any stabilizing standards aside.
I'm reminded of Pernell Roberts, or Adam Cartwright on the TV show Bonanza, who detested having to go to work playing the part of one of four brothers, none of whom were married, and each well over the age of marriage, yet still under their father's roof. He wanted released from contract, as I see it, and finally got his wish. What was on his mind day and night as he longed for an escape? Was it equally as complicated?
I must have missed where AIDS was presented by a scene in the movie. I didn't see it, although I did notice that bisexuality appeared to be on everyone's mind.
I'm so glad I never chose acting.
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