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The Boy (2016)

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An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.

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6 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Brahms Heelshire
...
Mr. Heelshire
...
Mrs. Heelshire
...
Cole
...
Brahms (Child)
Lily Pater ...
Emily Cribbs
...
Taxi Driver
...
Sandy (voice)
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Storyline

Greta is a young American woman who takes a job as a nanny in a remote English village, only to discover that the family's 8-year-old is a life-sized doll that the parents care for just like a real boy, as a way to cope with the death of their actual son 20 years prior. After violating a list of strict rules, a series of disturbing and inexplicable events bring Greta's worst nightmare to life, leading her to believe that the doll is actually alive. Written by STX Entertainment

Plot Summary | Plot Synopsis

Taglines:

Every child needs to feel loved. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence and terror, and for some thematic material | See all certifications »

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Details

Country:

| |

Language:

Release Date:

22 January 2016 (USA)  »

Also Known As:

The Inhabitant  »

Filming Locations:

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$10,778,392 (USA) (24 January 2016)

Gross:

$35,794,166 (USA) (27 March 2016)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Lauren Cohen and Rupert Evans have both starred in horror comic book adaptations. Cohen in the television series, The Walking Dead (2010) & Evans in Hellboy (2004) See more »

Goofs

The number plate of the taxi in the opening scene does not match the British style of number plates. British plates are in the style of AB11 CDE or A123 BCE. See more »

Quotes

Greta Evans: You wouldn't hurt me, would you, Brahms?
See more »

Connections

Referenced in Directing the Boy (2016) See more »

Soundtracks

Nadine
Written and performed by Zach Broocke
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User Reviews

a horror movie with more originality than usual
31 May 2016 | by (Sydney) – See all my reviews

If you are looking for a horror movie with more originality than usual this may be your film. Most horrors are standard genre films that rely on cinema clichés to frighten us and audiences have become immune to plots with spooky dolls, isolated nannies and scary mansions. The Boy (2016) stands out by combining all of these horror tropes into a single story then overlays them with a plausible thriller about parental grief. It tries to be a serious film without the lame humour which so often sugar-coats horror movies into comedy-thrillers. But the downside is also typical of the genre: it runs out of ideas on how to finish the job.

Greta (Lauren Cohan) is fleeing a bad relationship and applies for a nanny job caring for an 8-year old. She arrives at an isolated mansion in the English countryside and the child turns out to be a life-size doll called Brahms. The older couple's son died in mysterious circumstances twenty years earlier and Brahms is their way of dealing with unresolved grief. The creepy parents abruptly depart for an extended holiday, leaving Greta with strict instructions on how to care for Brahms. At first she ignores Brahms but soon weird things happen like the doll changes position and strange sounds echo through the house. Greta is alone and terrified until she befriends the local grocery guy Malcolm, but all hell breaks loose when the violent ex-boyfriend turns up unexpectedly. Poor Brahms becomes the unwanted child in some high-tension scenes but predictably the doll gets its revenge.

Although not a great fan of horrors, this one kept me engaged until the final quarter where a tired old stock-standard formula is used to tie the narrative ends together. Until then, the film maintains a menacing Gothic atmosphere and enough surprises to keep you guessing what will happen next. Lauren Cohan is well cast as Greta and the story moves along at a lively pace. If you are not willing to suspend disbelief and go along with the story premise, you are unlikely to see it through and you are probably not a horror fan anyway. A good test if it will work on you is to grab a toy doll and stare into its eyes; if your mind can fantasise it staring back at you with malicious intent, you pass and should see The Boy.


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