While waiting for their big breaks, two proper L.A. dreamers, a suavely- charming, soft-spoken jazz pianist and a brilliant, vivacious playwright, attempt to reconcile aspirations and relationship in a magical old-school romance.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by
The opening scene (including the CinemaScope logo) goes on with no noticeable cuts for exactly 5m36s. It's the longest take in the movie, followed by Mia and Sebastian's performance of "A Lovely Night" (5m30s). See more »
Before the end of the 'Another Day of Sun' sequence, as the camera pans up over the freeway, we don't see Mia or Sebastian's cars. After the 'La La Land' and 'Winter' title cards and the camera pans back down, their cars suddenly appear, replacing the other cars that were there before. Mia's Prius replaces the white SUV with the dancer in orange on top, while Seb's car replaces the gray sedan behind the SUV with the dancer in green. See more »
You could just write your own rules. You know, write something that's as interesting as you are.
What are you gonna do?
Have my own club.
See more »
The Summit Entertainment logo has an old-time variant where it looks like a matte painting of a mountain in a box and the word "Summit" above it. See more »
Damien Chazelle is a young director who loves and knows movies, from Federico Fellini to Jacques Demy. Hallellujah! Ryan Gosling and Emma Stone go back to inspire us forward. What's more surprising than anything else is the feel of amateurishness in the dancing in the singing. So refreshing not to have a sleek but empty experience. Damian Chazelle' Whiplash was a brilliant preview of forthcoming attractions. I would love to see a thriller directed by Chazelle, something like Shadow Of A Doubt or even a glossy damsel in distress story like Midnight Lace. That's what happens when we discover a new and startling talent. You want to see him do everything. I have a feeling this young artist will.
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