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*** This review may contain spoilers ***
I watched this movie today and I can't help but think that the film is
more complicated than it might seem. I feel that this movie is more
about mental illness than it is about spirits in the Aokigahara. Let's
start with the facts, we have our main character, Sara, and her
identical twin, Jess. The story behind these sisters is that, when they
were small, they were going down a set of stairs with their
grandmother. When they are approaching the bottom of the staircase, the
grandmother yells "cover your eyes". What had happened was their father
had killed their mother and then proceeded to kill himself. Sara
covered her eyes and never saw what had happened, but Jess did not and
saw everything. Now here is what I think this whole movie is about,
there is no twin sister. There is no Jess.
Bear with me here. I think that due to this traumatic experience in the childhood of Sara, she dissociated her personality into two different people, Jess and Sara, so that she wouldn't have to deal with the fact that she saw both her parents dead. She claims throughout the movie that she never helped Jess "carry the burden" of what she saw that day, indication I believe that it is simply a place inside her head that she locked away very deeply in order to escape the truth. Now, this theory makes a lot of sense if you pay attention to certain details I believe the director left there on purpose. Here are my top 5:
1. Early during the movie, we see a scene where Sara is going down a set of stairs to a basement. In the basement, she sees a yellow tent. From the outside, we can see two distinct shadows sitting inside it, but when she opens it, there is only one girl.
2. When she tells her boyfriend, Rob (Eoin Macken), that she needs to go to Japan, he has on his face a very concerned look. He looks somewhat tired and not shocked by the announcement. I saw this as someone who knows that she is mentally ill and thus tries to calm her down in order to make her not go, without actually trying to reason with her.
3. When Sara stays the night in the forest, she runs out at night and finds this Japanese lady who tells her to not trust Aiden. This makes her paranoid the rest of the movie whenever he's around. Now here is the deal breaker for me. When she asks him for his cellphone to see if he had any pictures of Jess, she yells at him that there are pictures of her sister in his phone. Aiden denies that he had ever met her sister and just looks at her clueless not knowing what the hell was going on. I think, the picture she saw was one he had taken of her (Sara). She thinks Jess is another person but she's not.
4. Near the end, when she is in the cabin with Aiden, she loses it because she puts her ear to a door and she swears that she can hear Jess from the other side. Jess slides a note from under the door asking if Aiden was there, Sara answers yes, Jess tells her to kill him (I think). Bottom line is, if you look closely, the handwriting on both "sides" of the conversation is the same. Anyways, Sara grabs a knife and goes to Aiden and is all "Open the closet and let Jess out". Again, Aiden is just completely clueless and tells her that the key is in his boot in order to distract her and try to take the knife from her. In the end, she stabs him, he dies. What's interesting is that the "closet" door opens by itself, yet all she can see when she opens it is that traumatic experience that she lived as a child. There is no Jess. At this moment, she walks down the stairs towards the little girl, and "sees" her parents lying dead on the ground. She yells at the girl that was there to run upstairs as her dad comes back from the dead and "convinces her" to slit her wrists. Again, only one girl there. So it begs the question, who wrote her the note then? It was herself. This further supports the theory because where "Jess" is supposed to be, we only see the event that traumatized her.
5. After she runs away from the shack, her sister manages to somehow run in the exact same direction at the exact same time. The way the scene is recorded, we can see some sort of parallelism going on between the two. When Jess comes out, Rob looks at her and asks "Sara?" Now, given that the two supposedly have different hair color, I'm not entirely sure he would confuse the two. When she doesn't answer, he asks "Jess?" to which she responds. He then proceeds to walk her out of the forest. I don't think he would have left that forest without Sara...my theory is that he did leave with her; he left with Sara/Jess. The reason why "Jess" was the only one that came out of the forest was because Sara faced her reality back at the shack and accepted that she was the one that saw her parents lying dead on the floor. Thus, two different personalities finally came together into one single person and Sara was forever lost in the forest that was supposedly one that makes people "face their sadness" and "find themselves". That's why Jess says "I can't hear it inside me anymore. The noise where Sara was, it's gone".
If a sequel comes out, then I guess my theory isn't valid which makes the movie not that good... So I'll stick to my theory. I enjoy it more that way.
I had my eye on this movie since it came out earlier this year. It was
a January release so I was in no rush to see it, but it had a genuinely
cool premise: looking for someone in the suicide forest, which is an
actual place in Japan where people go to commit suicide. It's pretty
unsettling. In the movie, it's said that the forest compels people to
kill themselves due to supernatural forces or vengeful spirits. The
Forest focuses on Sara, whose sister has gone missing in said forest,
and Sara's desperate endeavors to find her sister despite the evidence
pointing to her being dead. Up until about the 30-minute mark, I was on
board. The pieces were set, the exposition was established, and the
characters (Sara, her journalist friend Aiden, and a tour guide) were
finally heading into the forest. Again, the atmosphere is creepy
throughout. The director clearly has a grasp on how to build tension.
The problem is that the promising build ups lead to zero payoffs. There are handful of cheap jump scares, a couple of which admittedly shocked me but only momentarily. Once the initial shock wore off seconds later I was in the same state of mind as before. Effective jump scares linger for a while; they imbue dread and usually add something to the narrative. The jump scares here are your typical, "Boo! Something's behind you!", which are easy to shrug off. Also, once they're in the forest, the characters make some decisions that are unfathomably stupid and out-of-character. Like, the main point of the forest is that it makes you think you see things, a psychedelic effect if you will. So after Sara receives this crucial information, she runs after the first thing she sees scurrying around in the forest. While it's pitch black, mind you. It completely takes you out of the movie and makes you lose all empathy for the characters for putting themselves in these avoidable situations.
Also, The Forest focuses more on the bond between Sara and her sister than the actual forest. So there are plenty of flashbacks, dream sequences, all that garbage that just muddles the fact that, hey, this forest is really f*cking scary. Why not focus on the forest instead of forcing character development, if you can even call it that? It makes no sense. Also, there's nothing we haven't seen before. People being hung? First scene in Sinister. Claustrophobic underground tunnels? The Descent. The only thing that makes the movie unique is the actual setting which is used as a backdrop more than anything.
The acting is good, as is the premise, but the potential littered within this movie is never fully realized. The director can definitely creep you out but he'll need a better script if he wants to make a truly great movie. The Forest just leaves you feeling hollow and disappointed.
Japan's Aokigahara "Suicide Forest" by itself is a creepy and gruesome place because of its reputation as one of the most notorious suicide spots in the world as well as its historic association with demons in Japanese mythology. Its inherently scary atmosphere is perfect for a good horror movie, but The Forest mostly squanders its promise by degrading it to a hot spot for cheap jump scares. The Forest stars Game of Thrones star Natalie Dormer in a dual role as twins Jess and Sara. Jess has disappeared into the forest, and Sara travels to Japan to go into the forest to look for her, unaware of the demons that lurk in the forest. The film has a pretty interesting premise and could have worked if executed correctly. 2014's As Above, So Below took an intrinsically creepy setting, the Paris catacombs, and used an unsettling atmosphere and good scares to make one of the better horror films of that year. The Forest does not use its setting to its advantage. Any atmosphere created by the forest is frittered away by a dull jump scare. Despite all the loud noises and sudden shocks, the scares are just boring. That could have been helped by a good story, but once Sara actually reaches the forest, the plot just sort of stops. The last half of the movie is just her running through the forest while demons pop out from behind the trees. It's not until the end that the plot decides to move forward any more, but by the time the big twist happens, you don't really care. The Forest has a committed performance from Natalie Dormer and glimmers of an interesting movie but mostly wastes them on predictable jump scares and a bland story.
Upon seeing Jason Zada's "The Forest," I feel like I'm at a point of
indifference I have never been at before when it comes to watching and
reviewing films. Normally, I emerge from films eager to talk about some
aspect, or feel empowered to emphasize details or things in the film I
wouldn't have thought general audiences might have noticed themselves.
With "The Forest," I emerge with depressingly little to talk about.
It's become far too common to kick off a new year with an underwhelming
horror film (2012 had "The Devil Inside," 2013 had "Texas Chainsaw 3D,"
2014 had "Paranormal Activity: The Marked Ones," and 2015 had "The
Woman in Black 2: Angel of Death"), and if nothing else, that seems to
be the only constant in American cinema alongside with a surefire
hurricane of blockbusters starting in May and continuing through July).
"The Forest" is set in the Aokigahara Forest, located in Japan's sacred Mount Fuji. It is a forest that was once known as the place where family members would leave sick, crippled, or disabled loved ones to die during times of famine and war, and in present day, is a popular suicide location. We focus on Sara Price (Natalie Dormer), a young woman who gets a call from the Japanese police telling her that her missing twin sister Jess (also played by Dormer) is dead after she was seen going into the Aokigahara Forest. Knowing her sister all too well, and knowing that she is unstable but not suicidal, Sara commits to flying halfway across the world to try and find her, as a strong part of her believes she is still alive.
Sara's belief is only strengthened when she sees that the body discovered is not Jess, leading her to believe that her sister is still somewhere deep in the forest. At a bar one night, she meets an Australian reporter named Aiden (Taylor Kinney), who decides to do a story on her and her quest to find her sister. She tells him how Jess was always the one that looked toward danger, when she turned her head; she recalls when their parents were killed by a drunk driver and how Jess saw the bodies while she closed her eyes. The next morning, the two venture into Aokigahara with a park ranger named Michi (Yukiyoshi Ozawa), in efforts to try and find Jess.
The idea of the forest, as explained in very disjointed and vague manners by the locals throughout the course of the film, is that if there is an inkling of sadness in your heart upon entering Aokigahara, it will be exploited through things that you will see in the forest to the point where you'll believe the only way out is suicide. Michi explains to Sara upon entering deep into the woods that anything she sees from here on out is a result of hallucinations and her own mind playing tricks on her. The natural world leaves as soon as you abandon the trail of the forest.
"The Forest" is marginally effective in creating atmosphere, especially during the late night and early morning scenes when the forest becomes less a collection of trees, branches, and leaves and more of an abstract maze. The issue the film has is rooted in the screenplay, penned by Nick Antosca, Sarah Cornwell, and Ben Ketai. In order for the character relationships and the setting to be simultaneously successful, or at the very least harmonious, they need to be equally developed. Initially, the trio of screenwriters do this right by giving Sara enough time before she has to go in the forest to allow her personality to be open to us to get to know. We get to know about her and her sister's backstory after she meets Aiden and we get a hold on their characters quite nicely.
The problem is that once Sara, Aiden, and Michi go in the forest, the focus should shift on the forest being the character in the film, which it really isn't. Nothing about this forest feels that eerie, except for the music and the jumpscares we experience when we are immersed into it. The feeling of being trapped in the forest with the characters is there, since there is no cutting to a search party or Sara's fiancé, but there is still no real involvement or characteristic with this forest aside from ropes and the occasionally successful jolt.
Because of this, "The Forest" grows repetitive, and at the end of it all, we have a conclusion that doesn't answer any of our questions about who Jess is as a person and why she would have wanted to go into these woods in the first place. This is especially frustrating since, from the beginning, Zada and company make it seem like they will develop the story in a manner that's focused on the characters, only to leave the most intriguing soul of the entire film undeveloped in her motivations and her intentions.
Well-shot, but lacking sustenance and the graceful blend of character and location, "The Forest" is a mediocre horror film, though its PG-13 makes it perfectly acceptable for the middle school/high school crowd to experience a Friday night scare. It's a bit humorous to think that the path the film took is the same the film's characters took upon entering Aokigahara. Instead of following the path that would've keep them safe (the filmmakers keeping both the characters and the location in mind), they took a wrong turn and ended up losing themselves in a sea of unfortunate circumstances.
*** This review may contain spoilers ***
This entire film is just set-ups for things which never really happen,
and a handful of really lame, and completely predictable, jump scares.
Plot begins in flashback-land, as Sarah travels to Japan, in search of her missing sister, Jess, who disappeared in an area known for suicides, and is said to be haunted by the vengeful spirits of those who have died there. We are introduced, briefly, to her... husband? Boyfriend? It isn't made clear. Whoever the bloody hell he is, he really is only there for the seemingly contractually obligated twist ending. He is mostly unnecessary to the plot, and could be edited out of the film, and his absence would not be noticed.
After arriving in Japan, we're introduced to Rob, and the story can't decide if he is trustworthy, or a killer. An interesting twist two thirds into the film seems to portray him as being somehow responsible for her sister's death, but then it seems unsure of itself, whether he is a killer, or if it is the restless spirits in the forest trying to trick her. Little is done with that, and it's unfortunate, because that is the most interesting part of the film.
A weird (although not as creepy as the film wants her to be) schoolgirl is either following her in the forest, or is a few steps ahead of her, luring her farther off the beaten path, deeper into the forest, not because it has any relation to the plot, but just because it's a thing which happens.
A few unnecessary, and blatantly obvious, jump scares happen, again, not for any real reason, they happen just because.
Judging by its writing credits, the three writers ( "Nick Antosca and Sarah Cornwell and Ben Ketai" ) all worked on the screenplay separately, independent of each other, as their names are all separated by the word "and". If they had collaborated together, their names would have been linked by an ampersand ( & ), as per Writer's Guild regulations. That is an odd situation, I cannot think of any other title with the writers credited that way. Perhaps that is why the film feels so disjointed, and oddly structured, and doesn't do much with its surprisingly good cast, and competent cinematography?
And this is probably the 6000th film in the past five years to end with a character lunging at the screen in the final second, in the the most predictable, over used twist/ jump scare ending in cinematic history.
5.5 I would say is right on the money. Not academy material but good
for a couple of jump scares. Just saw the movie tonight. First jump
scare was so good lady next to me spilled her full bag of popcorn and
tipped over her drink...we laughed and laughed...then the usher came.
I had the movie pegged to go in another direction but I guess the joke was on me, and everyone I was with thought the movie was going in the same direction I thought, so it was pleasant surprise that it was not that predictable.
Overall 5.5 is good, watchable, scary enough. More psychological than it was Horror or Terror.
It was a little light on the Horror, and there was 1 single plot line, but still enjoyed it.
As a whole the movie works and is very satisfying. It's like a joke
that seems to have a weak set up that's made up for with a hilarious
punchline, but waiting for the punchline to come in a feature film can
It's not like pulling teeth dull or anything like that, It is a good story. It really does not hurt that Natalie Dormer is fun to look at for an hour or two as she plays a woman looking for her twin sister who entered a forest in Japan known to attract those who want to commit suicide and never comes out. For those of you not into Dormer, Taylor Kinney is in it as well as a reporter trying to help, but has his own agenda. If you you don't like either actor that will be a problem cause for the most part it's the two of them in the woods for the majority of the film.
It's not as scary or frightening as I hoped for. The disturbing images did the trick, but it did not get my heart jumping like I expected, but it feels like the overall story is what is supposed to haunt you. I get it but I'm not all that impressed.
As far as horror movies goes this one is not bad..The theme of the
suicide forest is intriguing.The stranger in a strange land them works
well here.the film avoids most of the horror clichés.
It has plenty of creepy moments and you'll jump a few times.The production is high and Natalie Dormer gives a good twist on the scream queen ..Her character is not dumb repeating cliché lines and behavior..The questions that run though your head her character answers.The film has a dark ending and is not fairy tale at all..I don't understand why its so poorly rated its not that bad...its a good scary movie.....
It was obvious that, sooner or later, someone was going to make a film about the legendary forest of Aokigahara, widely known as "the Suicide Forest" due to the big quantity of persons who commit that act there (between 50 and 100 each year, even though the Japanese government doesn't announce the total numbers anymore in order to reduce the fame of that site), maybe inspired by the book The Complete Suicide Manual, which recommended it as an ideal place to do that. But, well... leaving its origin aside, the subject is undoubtedly fascinating and disturbing. Pity that the film The Forest wasn't able to do anything interesting with it. From the beginning, The Forest displays many elements copied in the same degree from the old J-Horror and the Hollywood horror (strident music, nightmares, faces deformed digitally, etc.). And with those visual clichés and cheap thrills, The Forest advances until leading to an unnecessary twist which is more irritating than surprising, due to the arbitrary manipulation of events which doesn't even adequately solve the "mystery" of the damned forest. Another problem is the main character's characterization. As we can suppose, she's completely skeptical on the beginning before the warnings of the supernatural entities inhabiting the forest; her purpose is finding her twin sister, and she won't let any local superstitions to interfere in her mission. But she almost immediately recognizes the fact that, effectively, the uncountable suicides created a malignant atmosphere in the forest, and not everything is like it seems. And then, she stops believing, thinking that everything has a natural explanation. And then, she believes in ghosts again. And then, she doesn't. And then, she does. And that's how things proceed until I couldn't care less about the final answer, which ended up being irrelevant anyway, because of the previously mentioned twist. On the positive side, actress Natalie Dormer makes a good work in the dual role of Sara and Jesse, displaying equal credibility in the suspense sequences and the dramatic scenes she shares with her "sister" or the gallant in turn. And the forest in which most of the movie was shot (located in Serbia) is undoubtedly lugubrious and threatening, unlike the squalid Czech forests we have frequently see in similar horror films; pity that there are too many scenes in almost total darkness which avoid us from appreciating the most dismal details. In conclusion, I liked Dormer's performance and the Serbian locations, but I found The Forest a boring and uninteresting film in spite of that, and I can't recommend it.
Natalie Dormer plays a woman who is searching for her twin sister(also
Dormer) who has gone missing in Japan, last seen in a forest where
everybody seems to die, but she is determined to find her no matter
what, but will she find her, or will the forest drive her insane?
The film does have some good scares, and Natalie Dormer does give it her all here. But the story itself feels to cut down, and actors like Taylor Kinney who play it so bland, he just does not have much to work with. The movie tries to hard and it shows, the ending does not leave much to be explained. All in all, it could have been better. Just don't leave much to enjoy all of it.
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