In a twisted social experiment, eighty Americans are locked in their high-rise corporate office in Bogotá, Colombia, and ordered by an unknown voice coming from the company's intercom system to participate in a deadly game of kill or be killed.
John Gallagher Jr.,
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is ... See full summary »
Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence.
Cox and Hirsch play father and son coroners who receive a mysterious homicide victim with no apparent cause of death. As they attempt to identify the beautiful young "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.
The song playing throughout this movie was on the Flintstones. Let the Sunshine in, sung by Pebbles. See more »
When the deputy is driving away with Jane Doe's body, the van he's driving has a console stick shift and the speedometer is clearly label in K/H and not MPH. If this were in the US, as is depicted, new vans are not available with a console shift manual transmission and MPH is the standard for speed instrumentation. See more »
Written by Electra Stuart (PRS) & Alan Waller (PRS)
Performed by Electra Stuart & Alan Waller
Published by De Wolfe Ltd (ASCAP)
Electra Stuart & Alan Waller appear courtesy of De Wolfe Music USA
Under license by Ford Music Services See more »
And a simply wonderful throwback to the 1970s when horror was, well, horror -- and not based on gimmicks like "found footage" but rather genuine scene-setting, story building, audience engagement, and full-tilt creepiness.
Probably destined to become a classic.
Brian Cox is this generation's Donald Pleasence, that is to say, a character actor who could not give a bad performance if he tried yet is destined to never actually stand out in any single production because that is his style.
Director André Øvredal is one of those rare finds -- an auteur with (so far) a small body of work who is producing better and better films. This suggests that over time he will probably give us bigger and better treats to come.
And while Ophelia Lovibond does not get a lot of screen time, the exposure she does have will only add to her fan base. An American accent so natural you would think she was trained by Hugh Laurie and a performance so sweet you might not even recognize her (unless you looked twice) as the very same actress that underpinned an entire season of Elementary.
Recommended? This is a must-see!
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