Tom Levy, who is nicknamed Babe by his older brother Henry Levy, an oil executive who in turn is nicknamed Doc by Tom, is a Ph.D. candidate in History at Columbia University. He is also training to run a marathon. Tom is paying homage to his deceased father, H.B. Levy, in pursuing the same studies as him, his father who committed suicide while being under investigation solely for being a Jew. Tom's work doesn't sit well with Doc who wants Tom to move on with his life. While at Columbia, Tom meets and begins to date Elsa Opel, a foreign exchange student also in History. While out for a walk in Central Park late one day, Tom and Elsa are mugged, the unusual aspect of it being that their attackers were men in suits. Tom will learn that the mugging was not a random attack after someone close to Tom is found murdered, the deceased who was not who he purported to be. From here, Tom is thrown into an international plot concerning a WWII Nazi named Christian Szell in hiding, and a large cache... Written by
There are two photos of long-distance runner legends in Babe's room: one is of Abebe Bikila, who is also seen running in the beginning of the film. The other is of Finnish runner Paavo Nurmi, a nine-time Olympic gold medalist. See more »
The way Doc leaves the killer is not how the killer is positioned as Doc dials the phone. See more »
Szell's brother's been killed in Manhattan. An accident with an oil truck.
Oh, boy. Any changes?
They're getting all the couriers.
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The ending credits scroll with Babe's jogging route as a backdrop. See more »
A prime example of the way highly styled entertainment should be
Schlesinger made a great action-suspense film and married it to the artistry of unique talents Hoffman was, by then, a dynamic, young and incredibly versatile film actor with three Academy Award nominations already under his belt for "The Graduate," "Midnight Cowboy," and "Lenny."
But the key to "Marathon Man" was the chemistry between its stars Perhaps one of the most gut-wrenching and most memorable scenes in the film comes when Hoffman is captured and tortured by Olivier who plays the role of a mean and vicious and sadistic Nazi war criminal, Christian Szell Olivier's performance resulted in a 1976 Academy Award nomination as Best Supporting Actor
In 1945, Szell ran the experimental camp at Auschwitz where they called him the White Angel He was a dentist and could provide escape for any Jew who was willing to pay the price He started out with gold, naturally, but very quickly worked his way up to diamonds
As Szell saw the end early, he sneaked his brother into America with the diamonds And they were right here, in New York, in a safe deposit-box until Szell's brother got killed in a head-on collision with an oil truck
Uniquely built, and with a marvelous, rugged face, Roy Scheider, well known for his strong performances in "The French Connection," "Klute," and "Jaws," came on board as Hoffman's mysterious businessman brother, getting the rare chance to play a character that's both hero and villain Doc is a fascinating guy because he chooses to work out his problems in a much different way than Dustin's character does He was very touched and very moved by his father's death, but he abandoned all his hopes for whatever he intended to do and he became a spy, a killer, a very jaded personality
In doing something truly suspenseful, Schlesinger accomplished a film that's largely about fear and it's about pain and the infliction of pain because of fear The thrilling sensation of great expectations came on the 47th Street in the diamond district in New York, where Schlesinger gets the best of it
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