After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was submitted for censorship in Australia in 1987 under the title "Krug and Company". The Australian Classification Board banned the film and responded with their reasoning as follows: "The Board of Review felt that, regardless of the degree of explicit sexual violence, butchery and cruelty remaining after heavy editing, the film is inherently so dehumanised and insensitive (and totally unrelieved by the inappropriate comic interludes) that release on video could not be justified. The Film Board of Review accordingly confirms the decision of the Censorship Board to Refuse to approve the classification of Krug and Company (aka The Last House on the Left) pursuant to Section 25 (3) of the A.C.T Classification of Publications Ordinance 1983." See more »
After Mari put her peace symbol necklace on Junior's neck, on the next shot the necklace completely disappears. See more »
Hello, Cassie! Hiya, girl! Hello, there! Now, let's see.
[looks through mail]
Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »
I remember, quite vividly, the ad campaign for "Last House on the Left". I clearly remember the eerie feeling I got when I saw the ads, either televised or printed. Yet, as eerie as they were, nothing in the ads ever prepared me for this movie. I felt helpless during the film because nothing I could do would help the characters on-screen. I was terrified by man's cruelty to man. I still continue to be haunted by this film. The feeling one experiences viewing this film can only be compared to what a jury feels when video evidence is presented. With that said, I have to admit this is a great film. To evoke such feelings in an audience using actors and actresses is a work of great talent. I can't say I've enjoyed most of Mr. Craven's works; but, this is undeniable a staple in cinema's history.
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