7.8/10
67,325
290 user 144 critic

Rebel Without a Cause (1955)

PG-13 | | Drama | 29 October 1955 (USA)
A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

Director:

Writers:

(screen play), (adaptation) | 1 more credit »
Reviews
Popularity
2,910 ( 296)

Watch Now

From $2.00 (SD) on Amazon Video

ON DISC
Nominated for 3 Oscars. Another 2 wins & 3 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Ad

Genius (TV Series 2017)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A series which explores how patent clerk Einstein could not get a teaching job or doctorate in his early life, yet managed to go on to solve the secrets of the universe.

Stars: Geoffrey Rush, Johnny Flynn, Nicholas Rowe
East of Eden (1955)
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A wilful young man contends against his brother for the attention of their religious father while reconnecting with his estranged mother and falling for his brother's girlfriend.

Director: Elia Kazan
Stars: James Dean, Raymond Massey, Julie Harris
Giant (1956)
Drama | Western
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Sprawling epic covering the life of a Texas cattle rancher and his family and associates.

Director: George Stevens
Stars: Elizabeth Taylor, Rock Hudson, James Dean
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.

Director: Elia Kazan
Stars: Vivien Leigh, Marlon Brando, Kim Hunter
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.

Director: Richard Brooks
Stars: Elizabeth Taylor, Paul Newman, Burl Ives
The Searchers (1956)
Adventure | Drama | Western
    1 2 3 4 5 6 7 8 9 10 8/10 X  

An American Civil War veteran embarks on a journey to rescue his niece from the Comanches.

Director: John Ford
Stars: John Wayne, Jeffrey Hunter, Vera Miles
Action | Biography | Crime
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Bonnie Parker, a bored waitress falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, robbing cars and banks.

Director: Arthur Penn
Stars: Warren Beatty, Faye Dunaway, Michael J. Pollard
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Director: Elia Kazan
Stars: Marlon Brando, Karl Malden, Lee J. Cobb
Crime | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Directors: Jerome Robbins, Robert Wise
Stars: Natalie Wood, George Chakiris, Richard Beymer
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

In Hawaii in 1941, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second-in-command are falling in love.

Director: Fred Zinnemann
Stars: Burt Lancaster, Montgomery Clift, Deborah Kerr
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A silent film production company and cast make a difficult transition to sound.

Directors: Stanley Donen, Gene Kelly
Stars: Gene Kelly, Donald O'Connor, Debbie Reynolds
Easy Rider (1969)
Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Two counterculture bikers travel from Los Angeles to New Orleans in search of America.

Director: Dennis Hopper
Stars: Peter Fonda, Dennis Hopper, Jack Nicholson
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Judy's Mother
...
Goon
...
Steffi Sidney ...
Mil
Marietta Canty ...
Crawford Family Maid
Virginia Brissac ...
Mrs. Stark - Jim's Grandmother
Beverly Long ...
Helen
...
Dr. Minton
Edit

Storyline

Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's real concern for him, Jim must still prove himself to his peers in switchblade knife fights and "chickie" games in which cars race toward a seaside cliff. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

To Belong...and be loved. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and thematic elements | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

29 October 1955 (USA)  »

Also Known As:

Rebelde sin causa  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(optical prints)| (RCA Sound Recording) (magnetic prints)| (DVD version)

Color:

(WarnerColor)

Aspect Ratio:

2.55 : 1
See  »
Edit

Did You Know?

Trivia

Ann Doran said, "Jimmy [James Dean] did most of the directing. He gave us our lines; he dominated the entire thing." Dean's and Nicholas Ray's working relationship was equally bizarre. Ray often rehearsed with Dean at his Chateau Marmont bungalow, and felt the energy between them there was so powerful that he actually recreated his own living room on the set to inspire Dean. Doran also recalled, "Jimmy was a strange boy. On the first day, Jim Backus couldn't believe it. We were watching Jimmy doing his scene and someone had said, 'Quiet, we're going to shoot now.' And they got up speed and were ready for action. Jimmy went down on the floor in the fetal position for the longest time. It seemed like half a can of film . . . and Nick said, 'Action.' Jimmy stood up and went into the scene . . . [Jim and I] had never seen this "Method" of doing things. Nick seemed to be mesmerized by Jimmy". See more »

Goofs

Jimmy puts his left hand through the window, but it's a right hand that turns the radio knob. See more »

Quotes

[first lines]
First police officer: Get up, get up. Mixed up in that beating on 12th street, huh?
Second police officer: No. Plain drunkenness.
See more »

Connections

Referenced in Come Dine with Me Canada: Vicky Celestini: Block 14 (2014) See more »

Soundtracks

Five O'Clock Whistle
(1936) (uncredited)
Music by Gene Irwin and Josef Myrow
Played on the car radio after the dedication
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My favorite Nick Ray film
8 September 2002 | by (Dallas, TX) – See all my reviews

Nicholas Ray may be the most distinctive American director of the 1950s, and certainly the most deeply romantic. His career was marked by indiosyncratic stories about characters driven by deep internal conflicts, inward violence and outward sexual confusion. Rebel Without A Cause is the film where all of his themes meet, and slightly edges out Johnny Guitar and In A Lonely Place as my favorite Ray film.

Some people will certainly find the dialogue here to be rather stilted, and the performances melodramatic. I won't argue. Ray's films in general opposed 'realism' (that most unreal of artistic concepts) in favor of the mythic.

What's particularly satisfying about the film is its cohesiveness, binding together its many disparate events and characters with highly parallel themes and motifs. All of its central characters seem caught in psychosexual conflicts rife with familial gender conflict. Jim (James Dean) is caught between a weakling, effeminated father and a domineering but inneffectual mother. Judy (Natalie Wood) and her father are seperated by his uncomfortable relation to her sexuality. Plato (Sal Mineo), worst of all, is a practical orphan, who suffers all the more for his just under the surface homosexuality. (It's interesting to note here that Plato may be Hollywood's first sympathetic of a gay character.) All of them are driven by internal demons springing from these conflicts.

As usual, Ray is a remarkably sensitive photographer. And here he proves himself a master of color. There are too many beautiful scenes to mention here, but the planetarium scene (with the recorded voiceover about human loneliness) beginning of the 'chickie run' are both stunning.

The film seems divided between claustrophobic nightmares and utopian fantasies. The skewed camera angles of Jim's scenes with his parents contrast with the heavenly dream of teenage paradise in the abandoned house. The staircase motif seems to mark several of these transitions.

In any case, this is a stunning film by a consummate artist, and should certainly be viewed apart from the distorting lens of the James Dean myth. Dean, for his part, is remarkable here, although, as I stated above, the performances here are in a style far removed from what today's audiences are accustomed to.

It's quite silly to say, as several people have here, that this film's themes are 'dated'. They seem to be the constant themes of youth: idealism vs. cynicism, the turmoil of sexual awakening, the desire to fit in, and the internal violence that constantly threatens to become external. To say that these no longer apply because these kids have never heard of ecstasy or the crips is like saying that "Hamlet" no longer rings true because nobody swordfights anymore.

My one complaint about this film is with the title. Certainly quite dramatic, it sounds more like a marketing tagline than any kind of description of the goings on of this film. Jim seems less like a rebel than a young man caught in an inescapable turmoil, and his reaction to the final tragedy belies his lack of a cause. But this is a minor complaint, and I can recommend this film without reservation.


48 of 73 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?