Hall will play a former love interest of John Shaft and the younger Shaft’s mother. Alexandra Shipp and the original Shaft, Richard Roundtree, are also on board.
Tim Story is directing from a script by Kenya Barris and Alex Barnow. Barris and John Davis are producing. Marc Fischer and Ira Napoliello are exec producing.
The movie follows Usher, a nerdy FBI agent who, after his friend dies under suspicious circumstances, launches his own investigation, reluctantly enlisting help from his estranged father — the legendary, stuck-in-the-’80s-but-still-cool John Shaft.
MGM’s 1971 blaxploitation film was based on Ernest Tidyman’s novel and directed by Gordon Parks. John Shaft was portrayed by Roundtree, who navigates mob neighborhoods in New York City to find a mobster’s missing daughter.
The film was
Sources tell Variety that Searchlight is in negotiations with “Hostiles” director Scott Cooper to direct the supernatural pic “Antlers,” which del Toro is producing. Del Toro has been a fan of Cooper’s for some time now, and the two were eager to work together.
Del Toro is also setting up a new directing gig, attaching himself to write and direct a remake of the 1947 Fox movie “Nightmare Alley.” Sources indicate that this will likely not be his next directing job, as he still has to pen the script, which he plans to co-write with Kim Morgan.
“I am delighted to continue the producing partnership that has been forged with Fox Searchlight during the making of ‘The Shape of Water,'” del Toro
Disney and Lucasfilms' Star Wars: The Last Jedi begins opening in select foreign markets midweek before blasting off in North America and other major territories on Friday. That excludes China, where the tentpole doesn't roll out until Jan. 5.
By all accounts, the sequel to Star Wars: The Force Awakens should gross $425 million-plus by Sunday to secure one of the five best worldwide openings of all time, not accounting for inflation. That includes a North American take in the $200 million range, the best...
Until, that is, it did. Oldman, wearing what may be the most masterful fat suit and prosthetic chubby face ever created for the movies, plays Churchill...
As part of the package, Michael De Luca will produce alongside John Legend for their respective banners, Michael De Luca Productions and Get Lifted Film Co. The book was a hit with young adult readers and was written by Jason Reynolds. It has an unusual premise. The story takes place in sixty seconds, as a young man struggles to decide whether or not he’s going to murder the guy who killed his brother. Another dash of unorthodoxy: the book unspools in free verse and is set in an elevator. “Long Way Down” was a finalist for the National Book Award.
De Luca is an Oscar nominee, whose credits include the “Fifty Shades” trilogy, “The Social Network,” and “Moneyball.” Legend is best known for his work as a singer and songwriter
The world’s largest group of professional Black film critics also gave acting nods to Three Billboards Outside Ebbing, Missouri's Frances McDormand, Last Flag Flying's Laurence Fishburne, Girls Trip's Tiffany Haddish and Crown Heights' Lakeith Stanfield. Gook, Coco, Detroit, Step and Mudbound were also among the recognized films. ABC's Black-ish and OWN's Queen Sugar were named the top TV...
It is unclear, however, if this “Goosebumps” follow up will be the next one to hit theaters or if it will even get made at all. Sony, which is backing the movie, has two versions in development. One of these scripts features original star Jack Black, and one does not. There are scheduling concerns involving the actor. The pressure is mounting, and Sony had better make a decision soon about which film it wants to make if it has a chance of hitting its September 21, 2018 release date.
The studio has tapped Rob Lieber (“Alexander and the Terrible, Horrible, No Good, Very Bad Day”) to write one of these scripts. The first “Goosebumps,” was a modest hit, having grossed $150.2 million worldwide on a reported $58 million budget. Sony is looking to trim costs on this iteration.
Sandel’s credits include “The Duff,
Brown was born in San Francisco and grew up on Long Beach, Calif. before briefly moving to Hawaii where he began making films and worked with submarines for the U.S. Navy. Brown became a documentary filmmaker and released his first film “Slippery When Wet” in 1958. He was Oscar nominated for the 1971 motorcycle racing film “On Any Sunday,” on which Steve McQueen was a producer.
The 1966 “Endless Summer” was narrated by Brown and starring surfers and board shapers Mike Hynson and Robert August.
Gottfried suffered a stroke and died Friday at Cedars-Sinai Medical Center in Los Angeles, his daughter, Norah Weinstein, told The Hollywood Reporter.
Gottfried earned his Academy Award nomination for producing Sidney Lumet's Network (1976), which did not win the best picture trophy but did take four Oscars — for Chayefsky and actors Peter Finch, Faye Dunaway and Beatrice Straight — amid its 10 noms.
The producer was...
The $60 billion-plus pact will see Disney acquire key entertainment and sports assets from 21st Century Fox, including its film and TV studio. The CNBC report follows a Monday announcement that Comcast has opted out of its pursuit for Fox.
A spokesman for Fox declined comment. A Disney spokeswoman did not immediately respond to a request for comment. Shares of Disney were up 0.44% in early morning trading to just over $107, while shares of Fox rose .33% to $33.37.
Not all of Fox’s assets will go to Disney. The company will retain Fox News, the Fox broadcast network, and Fox Sports 1, which will be reconstituted into a new, independent company. According to CNBC, that would be worth roughly $10 a share. As part of the deal, Fox shareholders will get a stake in the new company, along with shares of Disney.
It has been the year without a frontrunner since the Venice/Telluride/Toronto starting gun, and the news is: It still is. Even with highly anticipated prestige players like Steven Spielberg’s “The Post” and Paul Thomas Anderson’s “Phantom Thread” on the board, no film has stepped up and seized the burdensome status of being “the one to beat.” Ask around and you’ll probably get a half-dozen answers: “It’s ‘Dunkirk’s’ to lose.” “‘Lady Bird’ could
Riz Ahmed, Michelle Williams, and Jenny Slate are also on board, with Ruben Fleischer directing.
Although character details are sparse, sources say Harrelson will play a henchman of sorts. Sony had no comment on the casting.
Scott Rosenberg (“Jumanji”) and Jeff Pinkner (“The Dark Tower”) will write the script for “Venom,” with Avi Arad and Matt Tolmach producing the movie, along with Amy Pascal. Palak Patel and Eric Fineman are overseeing the project for Columbia Pictures.
Since his inception in 1988, Venom has been one of “Spider-Man’s” most popular characters, making it a top priority for the studio to get the movie off the ground. Venom made his big-screen debut in Sam Raimi’s “Spider-Man 3,” where he was portrayed by Topher Grace.
Throughout the history of Marvel Comics, Venom has appeared alongside Spider-Man, Iron Man, Deadpool, Hulk, and other major characters.
Harrelson has kept
The global total for the studio passed the milestone on Dec. 11 to reach $5.003 billion, including $1.605 billion domestically and $3.398 billion internationally. Universal joined Disney and Warner Bros. in reaching the mark this year, with Disney hitting the milestone on Nov. 30 and Warner doing so five days later.
“The Fate of the Furious” had the biggest global opening weekend of all time at $542 million — breaking the record set by 2015’s “Star Wars: The Force Awakens.” It was also the top international opening ever at $443.2 million.
“The Fate of the Furious,” the eighth film in the franchise, earned $1.23 billion worldwide in what’s the 11th-largest total of all time. It is only the sixth film in history to cross $1 billion at the international box office and is also the
Indeed, the twisted tale about troubled animated critters living on a post-apocalyptic island first sprung from Vázquez’s graphic novel. It was initially adapted into a short by the two filmmakers as a prequel to the feature. Following an ecological crisis that fosters crime, repression, and drug trafficking, Dinky, a young teen mouse, hatches a plan to escape with her friends, including Birdboy, a shy, tormented bird who lives in a lighthouse and consumes drugs to subdue the demon living inside him.
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