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‘Hacksaw Ridge,’ ‘La La Land,’ ‘Moana’ Win Mpse Golden Reel Awards

1 hour ago | Indiewire | See recent Indiewire news »

Mel Gibson’s “Hacksaw Ridge” earned the top two sound editing awards Sunday night at the 64th Mpse Golden Reel Awards, while Damien Chazelle’s “La La Land” and Disney’s “Moana” took musical and animation honors. “The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble,” meanwhile, captured the documentary award.

Hacksaw Ridge” now becomes the favorite to beat “La La Land” in the Oscar battle.

TV winners included “Westworld” (for both long form and short form FX/Foley), “The Night of” “Part 1 The Beach,” “Penny Dreadful III” “Ebb Tide,” “Stranger Things,” and “The Rocky Horror Picture Show: Let’s Do the Time Warp Again,” and “Mozart in the Jungle.”

The Filmmaker and Career Achievement Awards were presented to Guillermo del Toro and Harry Cohen.

64th Mpse Golden Reel Award Highlights:

Best Sound Editing In Feature Film – Dialogue / Adr

Hacksaw Ridge

Crosscreek Pictures

Directed By: Mel Gibson

Produced By: Bill Mechanic, »


- Bill Desowitz

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Surprise: ‘Moonlight’ Top ‘Manchester By The Sea’ And ‘La La Land’ At WGA Awards

1 hour ago | The Playlist | See recent The Playlist news »

The last major guild award before the Academy Awards was handed out on Sunday evening and the winner was something of a surprise. Barry Jenkins and Tarell McCraney took the Original Screenplay honor at the WGA Awards for “Moonlight” over Kenneth Lonergan’s script for “Manchester by the Sea,” Taylor Sheridan’s “Hell or High Water” and Damien Chazelle’s “La La Land.” It’s sort of a big deal.

Continue reading Surprise: ‘Moonlight’ Top ‘Manchester By The Sea’ And ‘La La Land’ At WGA Awards at The Playlist. »

- Gregory Ellwood

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‘La La Land,’ ‘Suicide Squad,’ ‘Star Trek Beyond’ Win Make-Up & Hair Awards

2 hours ago | Indiewire | See recent Indiewire news »

Oscar frontrunner “La La Land” continued its awards momentum, taking best contemporary hairstyling Sunday night at the Make-Up Artists and Hair Stylists Guild Awards.

However, in terms of the Oscar race, makeup and hairstyling nominees “Suicide Squad” and “Star Trek Beyond” were both big winners, grabbing period/character make-up and special make-up effects, respectively.

Other movie winners were “Nocturnal Animals” for contemporary make-up and “Hail, Caesar!” for period hair styling.

TV winners included “Westworld,” ” Game of Thrones,” The People v. O.J. Simpson: American Crime Story.” “American Horror Story: Roanoke,” “The Rocky Horror Picture Show: Let’s Do the Time Warp Again,” and “Dancing With the Stars.”

Make-up artist Leonard Engelman (“Ghostbusters”) and hair stylist Barbara Lorenz (“La La Land”) were feted for their lifetime achievements, while “American Horror Story” creator Ryan Murphy received the Distinguished Artisan Award.

Winners for Feature Length Motion Picture (Feature Films):

Best Contemporary »


- Bill Desowitz

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Trump, Triumph and Speaking Truth to Power: Politics Take a Bow at 2017 Writers Guild Awards

3 hours ago | Indiewire | See recent Indiewire news »

When you think about the Writers Guild of America, which hosted two award ceremonies on Sunday night in two Blue cities, New York and Los Angeles, it’s no surprise that the writers spoke out. (Check out videos of some of the best bits below.)

For example, while accepting his life achievement award, filmmaker Oliver Stone got two standing ovations. After conservative James Woods was targeted at the top of the evening by WGA West Awards show host Patton Oswalt, retaliating by going onstage to steal his shoe, Woods presented the WGA award to the ultra liberal Stone, who starred him in “Salvador,” won three Oscars for “Midnight Express,” “Born on the Fourth of July” and “Platoon,” and penned “greed is good.”

Stone thanked mentors Robert Bolt and Ernest Lehman as well as Wma agent Ron Mardigian. He reminded that when he told Billy Wilder about his “Nixon” running time of 3 hours 10 minutes, »


- Anne Thompson and Kate Erbland

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Writers Guild Award Analysis: It’s Still ‘Moonlight’ and ‘Manchester’ At the Oscars

4 hours ago | Indiewire | See recent Indiewire news »

The Writers Guild Awards and the Academy writing nominees always don’t line up; many films are ineligible. This year, those included Oscar-writing nominees “Lion” and “The Lobster.”

This year, the WGA and the Academy differed dramatically. While the WGA deemed “Moonlight” and “Loving” as Original Screenplays, the Academy considered both as Adapted; only “Moonlight” landed a nomination.

At the WGA, as at the BAFTAs, Barry Jenkins’ script for “Moonlight” competed for the Original Screenplay Award against both Kenneth Lonergan’s “Manchester by the Sea” and Damien Chazelle’s “La La Land.” Unlike the BAFTAs, Jenkins emerged the winner over Lonergan, a sign of strength for “Moonlight,” which is nominated for eight Oscars.

Read More: Yes, Damien Chazelle’s ‘La La Land’ Really Will Win Director and Picture Oscars — Here’s Why

However, in the Oscars’ Original Screenplay contest, lauded playwright and Oscar-nominated screenwriter Lonergan (“You Can Count On Me, »


- Anne Thompson

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‘Girls’ Review: ‘Hostage Situation’ Has A Horror Movie Premise

5 hours ago | Indiewire | See recent Indiewire news »

Last Week’S Review: Season 6 Premiere Finds the Light While Escaping It All

Love Her or Hate Her

Hannah is finally getting some traction in her career, and it looks good on her. Although she’s the same self-indulgent, dramatically inclined person we’ve always known, there’s a newfound calmness about her as she settles into something resembling maturity. This week it manifested in a surprising heart-to-heart between Hannah and Bff Marnie, with whom Hannah had escaped the city so that Marnie could partake in some self-indulgences herself (namely in the form of ex-husband Desi). In a poignant moment, Hannah admitted that she’s no longer judging because she’s finally realized no one has it all figured out, and we actually believe her. Even though hours earlier she was lamenting about having to keep Marnie’s tryst with Desi a secret from Ray.

One Step Forward, Two »


- Amber Dowling

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‘The Walking Dead’ Review: Rick Goes Dumpster Diving in ‘New Best Friends’

5 hours ago | Indiewire | See recent Indiewire news »

Last Week’S Review: Rick Goes Recruiting in ‘Rock In The Road

Whose Episode Is It?

Two main plotlines run through “New Best Friends”: The Ricketeers meet a new group of truly odd survivors, and Daryl considers his options in the Kingdom and reunites with Carol. This gives the episode a bit of tonal whiplash, since the Rick stuff is downright goofy (yes, goofier than the Kingdom), while Daryl and Carol’s scenes are emotionally fraught. Still, both storylines are satisfying in their own way.

Yet Another Human Faction

Hoo boy, this new group introduced this week. They take Rick and the others to their lair, which is a huge garbage dump. Rick’s still grinning, because he’s happy to recruit anyone into his war, even this group of high-wattage mega-weirdos. The Dumpsters are more like a post-apocalypse faction you’d find in “Mad Max”; they speak in short, »


- Jeff Stone

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Investigating ‘Big Little Lies’: ‘Somebody’s Dead,’ But Who Died and Who Did It?

5 hours ago | Indiewire | See recent Indiewire news »

[Editor’s Note: The following review contains spoilers for “Big Little Lies” Episode 1, “Somebody’s Dead.”]

Madeline’s comin’, yo!

Ok, Ok, no one would ever say that on “Big Little Lies” (or probably even get the reference), but in a Baltimore-based version of HBO’s new mystery, can’t you imagine the other Monterrey moms warning one another every time Reese Witherspoon’s power mom came walking into school? Since the very first frames of Episode 1, Madeline dominates her world with an aura some may fear and others may covet.

But does that make her the killer or the killee? We weren’t given many hints toward the murderer or victim’s identity in the first hour of Jean-Marc Vallee’s new limited series, but that doens’t mean we’re lacking in theories. Below, we’ve taken each major character introduced in the premiere and broken down what we know about them, what we don’t, and what it might all mean toward the series’ larger mystery: Whodunnit? »


- Ben Travers

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2017 Writers Guild Awards Winners: ‘Moonlight,’ ‘Arrival,’ ‘Atlanta’ and ‘The Americans’ Win Big

8 hours ago | Indiewire | See recent Indiewire news »

Live from New York! And also Los Angeles! It’s the 2017 Writers Guild Awards, honoring the best in writing for television, film and new media. This year’s big winners included some of the season’s most lauded productions — including “Moonlight,” “Arrival,” “Atlanta” and “The Americans.”

While “Moonlight” and “Arrival” will compete against each other in the Adapted Screenplay category at the Oscars, they were entered in the WGA Awards in different categories, allowing both to make off with an award. “The Americans” pulled out a win for Drama Series, while “Atlanta” snapped up both Comedy Series and New Series. Other winners included “Command and Control,” “Saturday Night Live,” “BoJack Horseman” and “This Is Us.”

Read More: The IndieWire 2016-17 Awards Season Winners Guide

Check out our full list of winners — noted in bold — all updated live as the awards were announced at concurrent ceremonies in New York and Los Angeles this evening. »


- Kate Erbland

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BBC America Orders Nature Series ‘Blue Planet II,’ Exploring the World’s Oceans

8 hours ago | Indiewire | See recent Indiewire news »

Hot off the premiere of “Planet Earth II,” BBC America is returning to the oceans for its next epic nature series.

The cable network announced Sunday that it will air “Blue Planet II,” which also comes from the BBC Natural History Unit. The seven-part nature series will explore the world’s oceans, and will be presented by broadcaster and naturalist Sir David Attenborough.

“I am truly thrilled to be joining this new exploration of the underwater worlds which cover most of our planet, yet are still its least known,” Attenborough said in a statement.

Read More: ‘Planet Earth II’ Review: A Revival With Greater Purpose Than Meets the Eye

Blue Planet II” will serve as a sequel to “The Blue Planet,” which was broadcast in 2001 and also featured Attenborough’s narration.

“Like ‘Planet Earth II,’ this is a remarkable and relevant sequel – this time plunging us into an awe inspiring »


- Michael Schneider

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